Diana’s fantasia directed by Karen Kohlhaas, produced at Kori Rushton’s IRT Theater, is NOW PUBLISHED in a gorgeous edition from Broadway Play Publishing.

To order, visit www.broadwayplaypubl.com or Amazon.

I belong to a LinkedIn group called The Writers’ Block.

Recent comment: “Getting scripts into the hands of major producers is very difficult, if there is no name attached to it. It really doesn’t matter how good the script is.”

Doesn’t matter how good the script is? Really?

This is like saying that when you wait on line at Fairway to buy a bag of peanuts, it really doesn’t matter how tasty the peanut is.

Nobody can argue that the line at Fairway is long. But, to stick with the peanut analogy, because it’s early and I haven’t had breakfast, nothing else matters but the taste of the peanut. The taste of the peanut, one might argue, is the very reason that Fairway exists.

So it is with scripts. The only thing that matters is the quality of the script. And I do not mean in a poofy granola way: I mean tangibly, a good script is an absolute necessity—the first necessity—in carving out a career for yourself as a writer.

Why?

Diana positioned Snugli for brand evolution through a new tagline and website that features comfort as a unique sell-point, reclaiming Snugli’s position as the original baby carrier.